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Description
29 pedals flwr review 29 Pedals FLWR29 Pedals FLWR is a versatile effects pedal that combines overdrive, distortion, and fuzz, designed to help you find your own 'edge of breakup' so that your tone breaks up in a pleasing way. 29 Pedals FLWR is a versatile effects pedal that combines overdrive, distortion, and fuzz, designed to help you find your own 'edge of breakup' so that your tone breaks up in a pleasing way. The pedal starts very clean and even reaches Fuzz territory at maximum
29 Pedals FLWR is a versatile effects pedal that combines overdrive, distortion, and fuzz, designed to help you find your own 'edge-of-breakup' so that your tone breaks up in a pleasing way.
29 Pedals FLWR is a versatile effects pedal that combines overdrive, distortion, and fuzz, designed to help you find your own 'edge-of-breakup' so that your tone breaks up in a pleasing way. The pedal starts very clean and even reaches Fuzz territory at maximum settings.
With the SHAPE control, you can manage the first gain stage. Refer to the quick start guide and example settings for more information. GAIN controls the second gain stage, and the control is non-linear. As you add more gain, the response becomes slightly warmer, helping to tame high frequencies at higher gain settings without losing clarity at lower gain settings.
The clipping diode array is modular; remove the back and you can replace it with a different array. PCBs are available to create your own module - if you believe that some diodes are magical, you are free to go on a mission and track them down! FLWR comes with one module with two array options. Select 1 or 2 on the CLIP control to activate them. The standard diode arrays are designed to be very subtle, but more extreme arrays are possible.
The first SHAPE control on the 29 Pedals FLWR offer powerful control over the first gain stage of the pedal. With these controls, you can adjust and fine-tune the sound shaping to achieve exactly the desired sound. Using the SHAPE controls, you can affect various aspects of the sound, such as the attack, mid-range character, and overall response of the pedal.
With the next SHAPE control, you can adjust the pedal's response to emphasize lower frequencies for a fuller, thicker sound. Alternatively, you can use the SHAPE control to soften the attack of the signal for a more rounded, vintage sound.
FLWR uses the same WHATEVER power supply as on EUNA and OAMP - the pedal accepts 7.5 to 35 volts AC or DC in both polarities without any change in tone or power.
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Exchange/Return Notes
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